For most individuals, Atul Kasbekar is the long-lasting photographer behind the Kingfisher Calendar, which grew to become a cultural phenomenon. However there may be extra to him than meets the attention. “It stays one of the vital visible and recognisable promoting properties India produced and definitely one of many longest uninterrupted photographer-brand associations at 19 years. That body of labor took monumental effort, and I’m very pleased with it,” Kasbekar stated.
Right now, Kasbekar proudly wears many hats: photographer, filmmaker, promoting skilled, producer, entrepreneur, health fanatic, and, past that, an individual who speaks his thoughts. His newest exhibition, HONEST: Portraits of Character, on until July 5, on the Jio World Plaza, BKC, Mumbai, is maybe his most private undertaking but because it brings a group of intimate portraits that try and look past movie star and uncover the human being behind the general public persona.
In an period dominated by filters and thoroughly crafted AI-generated photographs, the 61-year-old believes authenticity lies in embracing imperfections fairly than erasing them.
In a current interview with indianexpress.com, Kasbekar bared his coronary heart out about life, profession, remorse, and legacy.
Excerpts:
Q: What’s retaining you busy in the mean time?
Atul Kasbekar: Making an attempt to not keel over in what seems like the most well liked summer season in recorded historical past takes up a disproportionate quantity of my time. Aside from that, the Sincere: Portraits of Character exhibition, making motion pictures, and the occasional model shoot.
Q: How do you look again at your journey?
Kasbekar: I’ve been fortunate to have had a number of careers disguised as one. Pictures, promoting, cinema, and producing. The memorable moments are hardly ever the glamorous ones, although. They’re often the surprising footage, likelihood conferences, and moments the place you realise one thing you created really stayed with folks.
Q: Inform us all about your newest work, HONEST: Portraits of Character.
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Kasbekar: The thought actually took form throughout my years as a producer. Sitting behind a monitor, watching actors work, you realise simply how absurdly gifted they’re and the way a lot gravitas they convey to a movie. HONEST was my try and strip away efficiency and photograph the individual carrying the character.
This exhibition has been one of the vital rewarding visible journeys I’ve undertaken. In some ways, it’s a full circle. I began images as a result of I cherished making portraits. No person paid me to take these footage again then, and no one paid me to make these both.
Jim Sarbh for Sincere (Picture: PR handout)
On the threat of sounding deeper than I really am, I hope folks go away with higher perception into these fantastic artistes. We requested every topic for a line, a life lesson, or a quote that issues to them. Learn sufficient of them, and I feel you begin seeing the human behind the general public persona.
Q: In an period of filters and curated social media personas, what does authenticity imply to you at this time?
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Kasbekar: I’m hoping folks see what I’ve more and more come to imagine. The strains and scars on our faces are remnants and medals from life’s battles. Some gained. Some misplaced. Both manner, proof that life occurred. Perhaps they’re meant to remain round. Perhaps our photographs don’t all the time must erase them.
When you’re a folks photographer, half the job is images and the opposite half is making folks overlook there’s a digicam within the room. I’ve all the time considered myself as a folks individual first. There are a bunch of athletes, actors, and industrialists who’ve trusted me to take their household and kids’s photographs, understanding totally properly that I’d by no means talk about or share them at any worth. I worth this respect and blind belief.
Q: Are you able to share your experiences of working with notable, standard actors?
Kasbekar: The fascinating factor is that the really safe ones hardly ever behave like stars. A lot of the actors I’ve labored with over time have stunned me with their preparation, humility, and willingness to belief the method. One of many nice presents of images is that you simply meet folks you’d in any other case by no means cross paths with and sometimes find yourself making lifelong mates. Doing an honest job of interesting to everybody’s vainness helps as properly.
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Q: Pictures might be demanding bodily and mentally. What habits assist you to keep wholesome and artistic?
Kasbekar: I’ve all the time instructed youthful photographers that health shouldn’t be optionally available on this occupation. This job is surprisingly bodily. Personally, I prepare seven days per week. A mixture of Ashtanga yoga, energy work, and lively league volleyball.
Pretty regimented. Well being and household come earlier than nearly all the pieces. I eat at suspiciously exact occasions, often variations of the identical meals primarily based on macro consumption, and I worth a full household and social life. Additionally, if soccer ever opens purposes for the equal of Harsha Bhogle’s job, I’m quietly assured I’ll bag it.
Through the years, I’ve additionally learnt to guard my power. Dangerous power hardly ever will get elevated by proximity to good power. Often, the reverse occurs. So I attempt to steer clear of folks, locations, and conditions that really feel completely destructive. Life is brief. Use your bandwidth properly.
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Q: If somebody created an trustworthy portrait of Atul Kasbekar, what would it not reveal that the general public doesn’t already know?
Kasbekar: That may really be an fascinating task. I don’t assume I put on a lot of a masks publicly, so I’d be curious to see if one other photographer managed to disclose one thing I hadn’t observed myself.
Kalki Koechlin for Sincere (Picture: PR handout)
Q: What makes somebody really photogenic past beauty?
Kasbekar: I’ve been requested this lots of of occasions, and I genuinely assume there’s an X issue concerned. Loads of handsome folks don’t translate on digicam and vice versa. If you wish to look your greatest, cease making an attempt to handle each angle and let go somewhat. One of the best pictures are likely to occur when folks cease auditioning for them.
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Q: What’s the most typical mistake actors make throughout photoshoots?
Kasbekar: Pondering an excessive amount of about their angles. That’s nearly all the time a recipe for catastrophe. The second is making an attempt to put on developments as an alternative of carrying what really fits them.
The genuinely assured folks hardly ever announce it. They have a tendency to reach ready, belief the crew, and don’t spend all day checking themselves on a monitor.
Q: How do you unwind?
Kasbekar: Watching the mighty Arsenal try and shorten my lifespan and spending time with my aptly named poodle, Saka.
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Sunil Grover for Sincere (Picture: PR handout)
Q: Any regrets?
Kasbekar: Ought to’ve purchased Bitcoin when my daughter instructed me to.
Q: What are the challenges of being a photographer within the occasions of AI, selfies, and cellphone cameras?
Kasbekar: Each technological shift causes panic. Movie to digital did too. However no typewriter ever wrote a novel by itself. Expertise is solely a instrument. Creativity stays stubbornly human. Embrace it. It’s not leaving.
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Q: What recommendation would you give younger folks aspiring to turn into photographers at this time?
Kasbekar: No matter you do, don’t ignore video. If you wish to work in visible storytelling, stills alone might not pay the payments for very lengthy. Study each. Future-proof your self.
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