Neeta Lulla on Creating Aishwarya Rai’s Iconic Devdas Looks

Aishwarya Rai in Devdas

The saree itself measured practically 10 metres, however was pre-pleated to make costume adjustments hassle-free on set. “The saree is about 10 meters lengthy however it’s totally pre-plated, in order that she might put on it inside three to 4 seconds. The embroidery that you simply see is all in zardori dhakka with wool work and silk, pearls embedded that are ivory base, to create a classic look,” Lulla defined.

She credited Bhansali’s larger-than-life storytelling for uplifting the flowery costume design. “Because of Sanjay Leela Bhansali and his imaginative and prescient for magnanimity,” the famous designer stated.

Aishwarya Rai’s inexperienced saree in Devdas impressed by Dhakai motifs

Lulla additionally shared particulars in regards to the inexperienced saree Aishwarya wore earlier than the long-lasting “Dola Re Dola” sequence. Speaking about it, she revealed that the embroidery drew inspiration from conventional Dhakai motifs.

“The embroidery is the motifs of the Dhakai saree, and the shirt is a mesh which is positioned on one other silk material and the zardori was achieved,” she stated.

Aishwarya Rai in inexperienced saree designed by Neeta Lulla

She defined that practicality was as necessary as aesthetics whereas designing the costumes. “The thought course of behind was to not waste time in draping the sarees. If you happen to discover this blue saree was the place she is sitting, the background is mosque inexperienced and it’s all heat mild,” Lulla added.

Describing the artistic intent behind the blue drape, Lulla stated it represented the dignity and energy of a married girl, embodied by Aishwarya’s character Paro, whereas retaining Bhansali’s trademark grandeur.

“This was one thing that got here simply earlier than white and pink, so we wished the stiffness and the boldness of a married girl who got here to a temple to confront and she or he was confronted by one other girl and also you wanted the grandeur and also you wanted the model and the oomph of constructing it conventional, on the similar time very bigger than life,” she stated.

Lulla additional revealed that the analysis and execution behind the costumes took months. She travelled to Kolkata to review materials.

“It took about six months. I went to Kolkata, and studied what sort of material cycles to make use of as a result of for Devdas I dressed all the ladies. Every one needed to be totally different. There can be classes the place Sanjay used to come back to my home,” she shared.

Aishwarya Rai’s yellow saree at Cannes

Lulla additionally mirrored on one other collaboration with Aishwarya that grew to become iconic at her debut look on the Cannes Movie Competition in 2002. The actor walked the pink carpet in a putting yellow saree designed by Lulla alongside Shah Rukh Khan and Bhansali throughout the worldwide premiere of Devdas.

Aishwarya Rai’s Cannes debut

Describing the inspiration behind the now-iconic look, Lulla stated the thought was to introduce India’s textile heritage to the worldwide stage.

“It was about taking India to Cannes for the primary time. It was about making a saree that was iconic, bringing the essence of our embroidery heritage and utilizing Dhakai Banarasi internet to create that saree, which really got here from Devdas, creating the grand drapes that I feel western media had not seen and utilizing conventional gold jewelry relatively than a whole lot of diamonds, very simplistic Indian and but very magnificent,” she shared.